Her album arrives in a breakout season for women in country music and associated genres.ĭolly Parton, Tanya Tucker and Shania Twain will all release albums in 2023. Instead, they're - in real-time - reconciling social and media images of artists with the humans behind the scenes who are passionate, heart-led survivors of creative chapters that, as Perry noted, are as much about celebrating hits as they are developing determination through sustaining one's self through the heartbreaks.
Galyon notes her work with Perry since the artist's return to Nashville post-COVID quarantine involving how women in Nashville, in general, have re-emerged as independent-minded businesswomen and creatives.īecause Americana and country's marketplaces are currently so robust and dynamic, they are not looking at each other as competitors. Her music speaks for itself," says CEO Galyon to The Tennessean. "Kimberly's an irreplaceable signature voice in pop and country's subconscious that can't be replaced. If viewed as one of many songs by many women emerging with hits defined by critical, streaming, or radio success of late, her ability to tap into a mutual, shared psyche of women looking to "honestly and openly use musical sentiments to embrace life's hits and misses and hit listeners in their ears and hearts." Her single "If I Die Young, Part 2" doesn't just reimagine the legacy of her 13-year-old, seven-times platinum-selling hit. "We've evolved from being the tomatoes in the salad," jokes Perry in an allusion to 2015's "Tomatogate" scandal in which radio consultant Keith Hill drew an analogy to women's paltry numbers of plays on country radio with a salad's composition while sitting at Wedgewood-Houston area's Soho House Nashville on a Tuesday morning on the week her album is set to be released - and two months before the expected date of birth of she and her husband Johnny Costello's first child. She, alongside Galyon, describes the forthcoming era this way. In regards to what her music means to the genre in full, Perry humbly assumes a position of leading and foretelling. "Bloom" is an EP that has a just-completed second half forthcoming. Galyon is a female independent label chief with mainstream distribution via Big Loud and Republic Records, working with Perry as a solo artist able to now wholly lean into being inspired by the 90s era creative excellence of artists like LeAnn Rimes, Deana Carter, Sarah McLachan, Jewel and, Sunny Colvin and Paula Cole.ĭirect, not caustic songs like "Burn The House Down" and "Cry At Your Funeral" feature robust and intentional music blurring the sonic edges between rock's vibes and country's female storytelling traditions. The laser-sharp creative focus and effusive joy in the five-track release result from many unprecedented factors in mainstream country's recent history.
#Kaleidoscope song female singer plus
Now a solo artist following her platinum-selling and Grammy-winning background as one-third of the trio The Band Perry, she's working with a fellow 39-year-old - Songs and Daughters label founder and CEO, plus award-winning singer-songwriter in her own regard, Nicolle Galyon. No better recent country music release highlights how the genre has benefitted from a decade of awareness, acceptance and denial of gender-based stereotypes than Kimberly Perry's new "Bloom" EP.
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